21 December 2018

Munson To Mars

It's been a bit since we introduced something good and ODD, has it not?
Let us correct that imbalance.

Have you met Munson Paddock?


Munson Paddock is both artist and writer on our odd little wonder above. Yes, it says Martin Nye, but that's just one of the names behind which you can find Munson.

We'll get to Mars Mason (and Firetop - maybe his oddest) in a bit. But let's do this the way i did. I believe this was the story wherein i first encountered Paddock's work - 


His mix of classic comic style and kind of wild free-styling look comes from many years of experience. Munson was an early comic artist, and before that a newspaper comic artist, creating strips like Angelic Angelina way back in 1909. (Perhaps earlier? The strips i have are from 1909)  By the time the '40s rolled around he was apparently feeling the need to break out and do something new. And so he did - strangely and beautifully.

Mars Mason is one of the best examples. Even the concept is just a bit odd. Decades before David Brin made The Postman* into a science fiction hero, Munson brought us the adventures of an Interplanet Mail Carrier, and bizarre alien life forms that would have been at home warring with some of Basil Wolverton's creations.

Here's the debut chapter -


Munson drew a total of only five episode of Mars Mason - just 30 pages. Join us next time as we follow along, and we'll take a peek at a few other odd bits as we go.


page art by Munson Paddock for Spook Comics #1 and Speed Comics #s 7 & 11 (1940, 1946)

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*(If you've only seen the movie, or perhaps wisely avoided it, the book The Postman is actually terrific.)

20 December 2018

He Knows

9
Hulk knows...


Wolverine knows...


How about you?
Are you getting your present shopping done?

You wouldn't want to piss off you-know-who...


He knows if you've been shopping...

page art by Sal Buscema, Tom Morgan and Pop Mhan from Marvel Holiday Special 1992 & 1994 and Santa The Barbarian #1 (1992, 1994, 1996)

EC's Pinocchio - Conclusion

Sorry about this not being here yesterday. I mentioned still struggling against forces external and internal. I'll talk about that later.
For now - here at last is the concluding chapter of Ellis Chamber's adaptation of Pinocchio -


Do you think they changed it from Turquoise-Haired Fairy to Blue-Haired Fairy due to word familiarity for younger readers, or to more easily fit in the word balloons? (such are the things that occupy my empty head)

page art by Ellis Chambers for World's Greatest Stories #2 (1949)

18 December 2018

Puppets Watch Puppets?

Continuing from this morning's post, we follow Pinocchio, as rendered by Ellis Holly Chambers, while he's off to visit a puppet show...


Sadly, we have no record of who is writing this tale. The C. Collodi credit that appeared in the first chapter is the original author of Pinocchio. Who adapted this tale...? Perhaps someday time traveling art aficionados will uncover such information, but we must remain ignorant for now.

Happily, the tale continues, and that we can follow along with...


Next - the 13 page final chapter - Adventures In Boobie Land!

page art by Ellis Chambers for World's Greatest Stories #2 (1949)

EC's World's Greatest Story

Regular readers know we've got a fondness for Ellis Chambers around here (and over at The 1940s Funny Animalphabet). Usually his tales are short bursts of glorious craziness, but on at least one occasion he drew a full length tale - 28 pages, illustrating an adaptation of Pinocchio for World's Greatest Stories #2:


While still maintaining a bit of his usual visual flair, Chambers keeps things much more tightly controlled for telling a more coherent tale.  (That he was able to do so may come as a small shock to some)

 Let's take a look at the opening of the tale, shall we?


What does he see?
Well, you probably have a fair clue already, but join us later today for Pinocchio Visits A Puppet Show.

Toy Boy Bonus:
How to make your own Pinocchio puppet -


page art by Ellis Holly Chambers for World's Greatest Stories #2 (1949)

17 December 2018

Blue Monday Calendar 2018 Week 51

I find the face to be a special delight in Gil Elvgren's painting for this week, Moonlight And Roses (Miss Sinclair 1965) from 1963. (You'll have to work out that contradiction for yourselves)

Only one yet remains...

art by Gil Elvgren (1963)

16 December 2018

Brother Theodore Warned Us

10
Santa Claus Is Coming To Town!

Are you prepared?

page art by Geof Darrow for Hellboy Christmas Special (1977)

Virgil In Blue

To wrap up this week's look back at the artwork of Virgil Finlay, let's take a look at some of his more 'adult oriented' imagery in our 'back room' - The Other Voice Of ODD!


Step on back to peruse the full post.

artwork by Virgil Finlay

14 December 2018

Tomorrow - In The Beginning


Those old timers among you who are familiar with Tommy Tomorrow likely know him as basically a space cop with the Planeteers. But back in the beginning, Tommy Tomorrow wasn't really a person at all. He was more of a template - a projection of the man of the future through which we could view his world. He was a potential character, waiting for someone to become him when the present became the future. That didn't last too long before he transitioned to a more typical character, but it was - for me - an intriguing approach.

What brings us to Tomorrow's yesterday today is our ongoing look at the artwork of Virgil Finlay. Back in 1947, Finlay illustrated Tommy's first two adventures in Real Fact Comics #s 6 & 8. Both were short 4-pagers, something of an expansion from the Just Imagine tales we saw yesterday.

Let's take a look, shall we?



Obviously, no FF&G this post. Still struggling against forces internal and external, but we shall continue on, eh?

page art by Virgil Finlay for Real Fact Comics #s 6 & 8 (1947)