I'm just going to assume that you know who Harlan Ellison is/was - right? Big time
Though perhaps not what you were thinking, it was a letter to Real Fact Comics back in 1947, way back around the time of his Bar Mitzvah -
And so began an adversarial relationship with editors that lasted seven decades. Every word revealing Harlan's own personal feelings and evaluations cut & tossed for the bit the editor liked about parental approval. Makes it rather easy to see how he learned to be so defensive of his words.
Here's another odd little bit i stumbled across today.
As far as i can tell with my currently crippled archive access, Harlan Ellison's first credited story for comic books (newsstand magazines like Creepy counting separately) was the plot for Avengers #88 in May of 1981 -
Should you decide to go looking for it, be aware that the story continues in The Incredible Hulk #140:
What makes it Odd is - that same month, May of 1981 (in both cases, cover date) the Justice League of America ran this tale:
Okay - that doesn't seem too odd. I mean, beyond the fact that the two titles started out 3 years apart but are now only 1 issue apart in numbering. But this was the Silver Age, which means that cover is lying - unless YOU are Harlan Ellison. (To add confusion to the premise, the narration addresses you as though you were Black Canary.)
So, in the same month that Ellison debuted in Marvel's big team book, he also debuted as the 'villain' in DC's big team book. Most passing strange.
It being comics, everybody likes to have a special identity, so we'll call him Harlequin Ellis in this tale.
Harl'n has met and fallen hard for Black Canary, and the two seem to connect a bit - much to the anger of Ollie Queen, who breaks things up and all head their separate ways. But Ellis, son? He's in a deep mood and heads straight to his outlet - the typewriter...*
A Note: One thing that is semi-required when reading any comic book stories adapted from or about Harlan Ellison is a solid working knowledge of the titles of his stories and books. They're not really dangerous dreams - they're Dangerous Visions. That would likely slip by unnoticed, but without the key to play the game, you'll encounter strangely clumsy dialogue, like a reference to Shattered Like A Glass Goblin -
...or I Have No Mouth And I Must Scream...
Okay - continuing on...
Canary's questions force him to try to act as Superman, but he fails to rescue the JLA members from his own manipulations and, in the process, he causes the death of his dream version of Aquaman. (Leading the "glass goblet" breakdown above.)
This leaves him temporarily shattered by his own unworthiness and unintended crimes, but...
...and so...
...and this time trying directly to remove Green Arrow from the equation. But when Dinah moves to rescue Oliver...
...and once again he's forced to foil his own plans. In the end, he realizes it can't work and they embrace the '70s -
Nor shall Harlan Ellison ever be forgotten.
(EDIT: But i forgot to credit Mike Friedrich with this story. Sorry, man. And sorry things didn't work out with us - timing was just bad.)
Actually, i doubt he'll let us forget. There's probably a data line being laid to his resting place so that when he gets angry enough, he'll start sending out more words into the world. A little thing like death of the body could hardly stop him...
I'll be eagerly awaiting that magnificent outburst.
page art by Dick Dillin and Joe Giella from Justice League of America #89 (1981) and Avengers #88 (1981), Ellison portrait by Ben Templesmith from Wormwood: Gentleman Corpse # 4 (2006)
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*(No apologies - bad puns like that are de rigueur for Ellison based comic tales)
