03 December 2017

Dryasdust - Not Supposed To Be Interesting & Odd

I've been asking - Who was Dryasdust?

Kid gave us the "correct" answer:
"Sir Walter Scott and Thomas Carlyle both mention Dryasdust. Apparently, an imaginary creation of the former author, who cited him as an authority who tediously presented background info in his books. The name then became a mocking and dismissive label for anyone who presented historical information in a manner that was as 'dry as dust'."

But, that still leaves me with my original problem-



 These three books were published in 1899 and 1900, bound in unassuming dark red cloth with no title imprinted on the cover, merely a hand written inscription:


These weren't little, either. The first two ran about 400 pages each, and the 3rd about 300.
As one might suspect from the Tales Of The Wonder Club title, these were not exactly Dryasdust material. Let's take a look at the illustrations from John Jellicoe and Val Prince that appear in each volume to get an idea of the contents.

Book The First:

 







Book The Second:







Book The Third:





And with that last arrival back home, our tales come to a conclusion. Of sorts.
BTW - that thing appearing in the bedroom in the 3rd illustration for volume one is the Phantom Flea. In case you were wondering. (No pun intended) The footnote accompanying the title, The Phantom Flea. - The Lawyer's Story., explains:
"In the spirit world all those who have been bloodthirsty to excess inhabit the forms of fleas.--WILLIAM BLAKE, _Poet and Visionary_. (_Quoted from memory._)"

For a peek inside, let us look at an excerpt from the INTRODUCTION - A Peep At The Wonder Club:

Towards the close of the last century there stood in one of the Midland counties of England, in the centre of two cross-roads, a venerable hostelry, built in the reign of Elizabeth, and known by the sign of "Ye Headless Lady." Its ancient gables were shaded by luxuriant elms and beech trees. The woodwork of the building and its weather-stained walls of brick were partially overgrown with thick ivy, while its high, dingy-red roof was tinted with every variety of lichen. The windows were narrow, and the framework heavy, as is usual in houses of that period.

The host of this establishment, one Jack Hearty, was one of the old school of landlords--robust, jovial, and never above his business. His fathers had owned the inn before him, and "he never wished to be a better man than his father, nor a worse either, for the matter of that," as he would say. All day long, when not engaged with his customers indoors, he was to be seen at the door of his inn, with his apron girt around him, and a "yard of clay" at his lips, straining his eyes down the long cross-roads for the first glimpse of a customer.

Often after gazing long and intently into the distance he would turn back with a sigh, knock the ashes from his pipe, refill it, take a deep draught of his own home-brewed ale, then, if none of his customers required anything, and the affairs of his household permitted it, he would sally out again. This time, perhaps, his eyes would be greeted by the sight of a solitary wayfarer, or, better still, the stage-coach. Then it was that the honest landlord's face would brighten up, as it was certain to bring him some of the "big-wigs" from town. He would rub his hands and chuckle, while Dame Hearty would begin to bustle about to welcome the fresh arrivals. It was not often, however, that the "Headless Lady" was entirely deserted.

A small clique or brotherhood, known as "The Wonder Club," had been nightly in the habit of assembling here for years, and this served to bring grist to the mill. Some of the eminent men from the neighbouring village, among whom were the doctor, the lawyer, an antiquary, an analytical chemist, and others, had formed among themselves a club, which was to consist only of very choice spirits, like themselves, and if any guest were introduced among them, it was only to be with a letter of introduction and the full consent of all parties. By these strict rules they hoped to keep the club select. A room at the inn was set apart for them, into which no one not belonging to the club ever presumed to enter, unless it was the landlord, who would be called every now and then to replenish the bowl, and whom sometimes the guests of the club would "draw out," as it was whispered in the village that the landlord of the "Headless Lady" knew a rare lot of stories, he did; also how to tell 'em, too, my word! but these he generally reserved for his more intimate customers. One strict law of the club that we have not yet mentioned was that no guest invited was to be a "business man." Should a commercial traveller ever have the hardihood to enter the sacred precincts of the club, he was assailed with a battery of glances from the members that must have completely cowed him, unless he were a man of more than usual strength of nerve; but as this rarely happened, all such outward manifestations of contempt were kept within due bounds. Business was, of course, tabooed; even politics were only admitted on sufferance and by a special permission of the chairman. There was one evening in the year, however, when the chairman never granted any such permission, and that was on the anniversary of the founding of the club. On this evening such subjects as business and politics would have been cried down, and the daring introducer of the obnoxious themes would have been condemned to drink a cup of cold water on his bended knees by way of expiating his offence. No subjects of public or private interest were tolerated on this evening, or, indeed, on any other. The chief delight of this club was to tell or to listen to stories which were all more or less of the marvellous class, and which each took it by turn to relate to the rest, the strictest silence and order being preserved during the recital. The evening that we are about to describe to the reader was the tenth anniversary of the founding of the club. This was a very grand event. For any one of its members or guests, whether married or single, to have been absent, on this occasion would have been little less than an insult to the rest. Let us try to give our readers a glimpse of the club room and its guests on this memorable evening.

Imagine, then, a large room with low ceiling and walls of dark oak panel, a large old-fashioned fireplace with dogs, and a Yule log blazing on the hearth. The curtains are old and embroidered, and closely drawn. The room is well lighted, and in the middle is a long table, at which, through a cloud of tobacco smoke, a party of nine--all lords of the creation--may be discovered. A bowl of punch is in the centre of the table, at which every now and then each guest replenishes his glass. Mr. Oldstone, the antiquary, has been elected chairman. Watch with what dignity he fills his post of honour. Look! he rises and thumps the table. He is going to make a speech. The strictest silence reigns; you might hear a pin drop.

"Gentlemen," began the worthy chairman, after one or two preliminary "hems," "it is with feelings of mixed pride and pleasure that I feel myself called upon to-night to preside at this most honourable meeting." (Hear, hear!) The chairman resumed, "This is the tenth anniversary of our club of choice spirits (cheers), and so shamefully nicknamed by our enemies 'The Morbid Club.' (Groans.) Irritated at our exclusiveness, and envious at the reports of the superior talent that circulates nightly at our table, and which bursts into a halo of genius on our great saturnalias, what wonder, gentlemen, if the worthy members of our select club should make enemies out of their own circle? Only 'birds of a feather flock together,' and perhaps the contempt of our enemies is the best compliment they can pay us." (Hear, hear! and various shouts and yells of delight, amid clapping of hands, stamping, and rattling of glasses.) Here the chairman paused to take breath, and then, after a preliminary sip at his glass of punch, proceeded.

"Gentlemen, I feel duly sensible of the honour conferred upon me this evening in being selected to preside at our meeting on this very important occasion, an honour which I feel unable to support, and for which I feel my abilities so inadequate. (No, no!) Gentlemen, we are a company of nine this evening, the number of the muses--the omen is auspicious. I see around me faces that were present at the inauguration of our club, ten years ago, though others, alas! have gone to their long rest." Here the speaker was visibly moved, and passed his hand over his eyes to wipe away an incipient tear. Then, recovering himself, "Need I proceed, gentlemen? Need I trespass longer upon the time and patience of guests so illustrious? (Yes, yes!) Then, gentlemen," continued the speaker, "I would but detain you one moment longer, to propose the following toast, to be drunk with three times three. (Hear, hear!) 'Long live the "Wonder Club," and all its choice members.'" Here the president, at the conclusion of his speech, held a bumper above his head, and repeated the toast with the rest of the company, with a "Hip, hip, hip, hurrah!" "May their brains be as fertile as the plains of Elysium, and may the fame of the 'Wonder Club' spread to the ends of the earth." This sentiment was followed by a burst of applause.

In the midst of the stamping, cheering, and rattling of glasses that ensued a knock was heard at the door. Who could it be? The landlord? It was not his wont to disturb the club for a trifle. He only made his appearance when called for. What was it? Was the inn on fire? Who could venture to disturb the solemn meeting of the "Wonder Club" on their tenth anniversary? One of the members rose from his seat and opened the door ajar, still holding the handle in his hand.

"Who is it? What do you want at this hour?" he asked.

"I beg pardon, gentlemen," said the voice of the honest landlord without, "for disturbing the company; but a gentleman has just brought a letter for the chairman, and I thought it _might_ be important. Leastways, I thought it wouldn't be much harm to deliver it at once. The gentleman has sent in his card. Excuse the interruption, sirs; I hope no offence."

The letter was delivered to Mr. Oldstone. He glanced at the card.

"What, a visitor!" he said; "and at this time of night. Let me tell you, landlord--ahem--that this is a most unwarrantable infringement of--er--er--of the rules laid down by--er--eh? Stay, what have we here? Excuse me, gentlemen, while I break the seal. Ha! from my old friend Rustcoin. You remember him, gentlemen--my brother antiquary, formerly a member of our club. He writes from Rome:

"'MY DEAR FRIEND,--I dare say you are surprised to hear from me again, after my long silence. The fact is that I had put off writing to you, having some time ago formed a resolution of returning to England, when I hoped to surprise you by suddenly appearing unexpectedly in time for the tenth anniversary of the inauguration of our club. Certain affairs, however, have prevented me from being present myself in the flesh, but I beg to introduce to your notice my young friend, Mr. Vandyke McGuilp, an artist who has for some time past been prosecuting his studies here in Rome. He is a young man of talent and genius, possessing a great fund of stories of the marvellous and supernatural order, such as your club particularly prides itself on. He is quite one of our sort, and you would be doing me a great favour to introduce him to the rest of the members. If he could arrive in time for your grand saturnalia, I should be doubly pleased.--Your old friend,
"'CHARLES RUSTCOIN.'"

"Well, gentlemen," said the president, "what do you say to that? Shall the neophyte be admitted? You see, he is not a commercial traveller, nor a business man, but an artist; one of those restless strivers after the ideal. A traveller, too--a man full of stories, like one of us. What do you say--shall he be admitted?"

===

For the sake of hearing his stories, of course they admit him. But, that was obvious from the first illustration after the title plate, wherein we see him doffing his hat to the group.

To a certain extent, the books remind me of Spider Robinson's books centering on Callahan's Crosstime Saloon. But written in the 19th century.
Most passing strange.

The Odd puzzle remains - if Dryasdust doesn't exist, who wrote the books?
Was is just an imaginary author that Jellicoe and Prince used for a front?
Did Sir Walter Scott secretly hang around for another century without telling anyone?
Perhaps a rogue character escaped the world of fiction with tales to tell?

Once again, our answer may be at least as odd as our mystery.

We'll follow that trail next time...

illustrations by John Jellicoe and Val Prince (1899 & 1900)

02 December 2017

Since Before Your Sun Burned Hot In The Sky...

A Question.

I left this buried in a previous post. Let's try again all by itself:

Who was Dryasdust?

Gallery Droppings

As mentioned previously, there's been a fair bit of rummaging through my own past lately, not just the usual comic & cultural archeology digs. I spoke recently of Galactic Villainy and some of the old works encountered while digging through old times.

I'm not sure how much talking there'll be today. I was thinking we'd go visual - basically a gallery dump of old personal works. So i've pulled a dozen and a half - or three half dozens, if one wants to obsess about it - pieces from the art pile, varying heavily in content, but light on the nudity since we've seen that before.

 WWW or GPS?

Digital Abstract

Lord Love A Duck

Voodoo Child

 Huang Shan Buddha

Om On Deranged

Pearl Of Justice

Huntress Posing

Old Man Wolf (Cover)

C'thul-whu?

NOTE: This image, and the two following, contain nudity
and have been moved to our back room for adult content.
The titles, but that really tells you very little unless you're familiar with the pieces.
Please follow this link to The Other Voice Of ODD! archive

The New Girl



Shadows Revisited



Reach I

Randerings 5 - Dancing Spider Monkeys

Thought

Dear John

Tales From The Voodoo Islands I

Got Prayer?

the works by -3-

Saturday Solutions 020 Post(er)ing Movies

Back at the movies, or at least the movie posters, with our answers to yesterday's Friday Fun & Games.

After the title of each film, i've listed the artist in parentheses where the identity has been confirmed, or from the (sometimes partially legible) signature from the image. Where unconfirmed, a ? remains until suspicions are substantiated or ignorance enlightened.
Feel free to help out on either front.

All right, let's get to the answers-

01 - A Man Called Dagger (Frank Frazetta)

02 - Crime Busters ()

03 - Inspector Clouseau (Jack Davis)

04 - It's A Mad, Mad, Mad, Mad World (Jack Davis)

05 - Viva Max! (Jack Davis)

06 - Mad Monster Party (Frank Frazetta)

07 - It Follows (?)

08 - The Gauntlet (Frank Frazetta)

09 - Stunt Rock (Rob---?)

10 - Danger Diabolik (Frank McCarthy)

11 - The Fastest Guitar Alive (Frank Frazetta)

12 - Busy Body (Frank Frazetta)

13 - Fearless Vampire Slayers (or Pardon Me, Your Teeth Are In My Neck) (Frank Frazetta)

14 - Yours, Mine, and Ours (Frank Frazetta)

15 - Man Of The East (?)

16 - Finders Keepers (Mort Drucker)

17 - The Secret Of My Success (Frank Frazetta)

18 - Hotel Paradiso (Frank Frazetta)

19 - Devil's Express (?)

20 - Cactus Jack AKA The Villain (Jack Davis)

21 - Bamboo Gods & Iron Men (G. Akimoto)

22 - My Name Is Nobody ()

23 - Crime Busters (Jack Davis)

24 - Fitzwilly (Frank Frazetta)

25 - 8 On The Lam (Jack Davis)

26 - The Night They Raided Minsky's (Frank Frazetta)

27 - My Son, The Hero AKA The Titans ()

Kudos to TC, who offered answers to 17 of the 27, and only missed twice. And when he missed, he still hit terrific targets. Sabata for #11? Okay - it's a guitar instead of banjo, but you pull in Lee Van Cleef in an odd film like that, and it was a right fair guess that would be something i'd use. The Fastest Gun Alive was 2 years before the first Sabata film - starring Roy Orbison! Pause and reflect on that... Frank Frazetta painting posters for a Roy Orbison musical western. With Roy playing a spy with a bullet shooting guitar...

However, TC - For The Villain, you listed the stars wrong. Move Paul Lynde up, because you should always finish the list with "...and Arnold Schwarzenegger as Wyle E. Coyote"

Obviously, despite my professed ignorance of Terence Hill and Bud Spencer in my reply to yesterday's comment from TC, I'm a fan of their films. Enough to include one of them twice. (Yeah - I cheated, which is probably why TC didn't have one more answer on his sheet.) Yet, oddly enough, none of them are the films folks in the USA are most likely to have seen, if they've seen the duo at all. Those would be Trinity films, of course. The "sequels" to My Name Is Nobody - They Call Me Trinity, Trinity Is Still My Name, and Boot Hill - in which we find even Nobody has a name. And a brother like Bluto from the Popeye cartoons, played by Bud Spencer.  I 'air quoted' "sequels" because although marketed on video as such, all three movies were made prior to My Name Is Nobody. I rather suspect they're actually what led Sergio Leone & Tonino Valerii to cast him in the role. (As indicated by the blurb on the poster)

Hill & Spencer have made a bunch of fun comedies in Italy, both together and solo. As you can see by the blurb on #15 (The Magnificent One!), they were very popular on the international market. Seeing either of their names on a movie is like a blinking "Buy Me!" sign to me. International comics fans might recognize Terence Hill from his Lucky Luke movie and/or TV series. Oh - and here's one that might be a shocker for some modern viewers who don't realize there was a series of films a half century prior to the modern incarnation: He played Django back in '68. (He wasn't the original Django - that was Franco Nero, two years earllier)

He's still a big star, by the way. His TV show, Don Matteo, in which he plays the title role, has been on the air in Italy since the turn of the century, and he just finished filming his latest movie, La Chiamavano Maryam, which he also directed.

Sadly, Bud Spencer died last year. He continued to be a big star, in more ways than one, as well. He starred in movies like his Flatfoot series, video games and tv shows up until a few years before he died, the last being his role as Carlo Banci on Recipe For Crime.

Okay, it might seem Odd that this has turned into a post on Terence Hill and Bud Spencer. But, not really. After all - Terrence Hill is on four of the posters; more than anybody else, right? So that kind of makes him the de facto star of the feature, doesn't it?
So, there we go - not odd at all.

We must be in the wrong place.