15 January 2019

Before Raiders - Dr. Jones & The Magic Coin


If you're an old geek, you might remember some movies that presaged later big hits. For example, when the first Terminator movie came out, a lot of us saw echoes of Cyborg 2087 - an old Michael Rennie flic wherein he plays a cyborg sent back from a dystopian future on a mission of murder while pursued through time by a pair of 'terminator' (Tracer) cyborgs seeking to prevent him from changing the future.

Terminator was a very different movie, but felt familiar nonetheless.

Today i'm thinking about another old movie i loved in younger days (and still very much enjoyed when viewing it again recently). A couple of decades before Raiders Of The Lost Ark hit the theatres, but several years after the events within the film...

Dr. Jones is using his knowledge of ancient languages to translate the markings on an archeological find - a strange coin held by a religious statue uncovered on a dig. He finds that the coin is a magic artifact, which he's accidentally activated with his blood. It can be used to painfully incapacitate with a gesture, or kill with a gesture and a word (the name of the ancient god). It can even slow the passage of time with "the power of retarded movement".
He tries to tell the Pentagon about the coin's power, but that goes about as well as one might expect. However - enemy agents learn of its existence and Jones must use the power of the coin to protect himself, his country, and one who maybe his new-found love.

Sound like an Indiana Jones movie?

This movie, however, was a romantic comedy first, adventure film second.



That's Jonathan Jones. The movie changed it to Professor Jones from the original Doctor Jones in the book. To an oddnik like myself, it's a treasure - both book and movie, though those, too, are quite different from each other.

This was the movie that first taught me the name William Castle, and that he made films. From the opening frames, he was subverting expectations. The classic Columbia Pictures logo which opened their films was portrayed by an live actress...


 ...with Castle himself sitting in his director's chair looking on...


And then he stood...





Zotz!
And so it began - already flying off the rails before even getting to the title.

Those who remember Tom Poston today rarely remember him back in his leading man days. He's better (and fondly) remembered as George Utley, the handyman of the Stratford Inn on Newhart back in the '80s. (Oddly enough, years later in '01 he married Suzanne Pleshette, who play Bob Newhart's wife on the show. But i digress...)
You might also know him from scores of other roles over the half century of his career. He worked continuously up until his death a dozen years ago. But here (and in the picture above) he's playing Johnathan Jones, eccentric college professor and expert in ancient and archaic languages. And wielder of mystic power.

Poston was joined by Julia Meade as his romantic interest (and inevitable damsel in distress) with a supporting cast that included such familiar notables as Jim Bacchus, Margaret Dumont, Fred Clark, and Cecil Kellaway.

Since the movie has been released on Blu Ray, i won't go all spoilery into the plot. At least, not any more than i already did in the quick summary above. The film keeps a light, slightly off-kilter, comedy tone throughout - even through kidnappings and looming death. To some extent, the characters and situations feel like Kurt Russell's Disney flics of a decade later. One could easily think some scenes might have been lifted directly out of some unseen Dexter Riley movie if this film hadn't come first.

Let me pause to note how much i enjoyed the bubbly jazz music as the society party descends into chaos. Bernard Green did a mighty fine job with the soundtrack. (Enough to make me look to see who did it)

The special effects are simple but generally effective. The power to slow movement is cleverly used at times, and perhaps cruelly at other times. But he doesn't usually drink. (Well - sauerkraut juice...)

It's a fun little film that's stuck with me over the decades, and one of the very few 'special powers' movies in those days so long before comic book heroes ruled Hollywood. (Ever see George Hamilton in The Power - about a war between telekinetics?)
It's worth catching if you enjoy them old black & white films.

The book was very different. (Not the 'worth catching' part - it's an old favorite, too.)

Before we get into that - let's talk about the people who wrote it - Walter Karig, a naval officer who wrote battle reports like Asia's Good Neighbor and War In The Pacific; Carolyn Keene, author of 3 of the first 10 Nancy Drew novels; Detective novelist Keats Partick; Mystery author Clinton W. Locke; and...

oh,wait. Never mind.

The book was written by Walter Karig.

Captain Walter Karig, U.S. Navy, in Honolulu, one year after Zotz! was published.

He's all those other people, too. Along with Julia K. Duncan and maybe some other authors as well.

What exists as a brief diversion in the movie to trigger the story's 'big bad' antagonists is actually the main focus of the book. Part of Karig's time in the Navy was spent in the USN's Public Information Office and, drawing upon that experience, the book was a wicked satire on both the bureaucracy of the government and the nature of people.

The book takes place during World War II, and Jones spends most of the book trying to penetrate the system so he might be able to end the war with his (partially different) powers. But - Spoiler! Select the parenthetically demarcated area to read:
(By the time he finally gets through the layers of government to be actually able to do something, the war has already ended.
In a very different ending from the movie, he waits - exterminating cockroaches to keep in practice for the next war... )




stills from Zotz! (1962)

14 January 2019

Rummaging Undercover

Brain done wandered off again. While we're waiting for it to return, and for Dick to finish up that next report on what Frankenstein is doing, i do have a little something sitting here.

First, before i forget - again - while i haven't resumed the Blue Monday Calendar (Gil Elvgren is a tough act to follow, for one thing), i did post a couple of January Calendars last week - but both have adult content so they were posted in our 'back room', The Other Voice Of ODD! and i forgot to mention it here.

One of the calendars i've been waiting to run since the beginning of the calendars project. 2019, a compatible year, is finally here and Jim Steranko's Supergirls calendar has cycled around. If you're not familiar with his old '70s calendar, perhaps you should be.
Here's the link to the January Calendar post.

Something i've been thinking about is revisiting some of our old topics, looking a bit deeper at some of the characters we've peeked in upon. I have one story already prepped in the pile, so let's go ahead a look at another adventure of Starr Flagg, aka Undercover Girl -


We'll come back for more of Starr's adventures, and visit with some other familiar faces.
And - Who knows? Maybe we'll even finally get to that piece on Lou Cameron's previously alluded Other genre, or one of the dozens of other topics my peripatetic mind has wandered past and left waiting.

Maybe.
We can hope.

page art by Ogden Whitney from Red Fox #15 (1954)
reprinted from Trail Colt #2 (1949)

13 January 2019

Sunday Morning FrankenFunnies or Leave It To Briefer

As some know, i have a fondness for artists inserting themselves into their comics. Not too long after when we left off last time, Dick Briefer had fun with the notion, going for considerably more than the average cameo appearance in his Frankenstein series while the creature does his impression of Scott Carey -

(That's John Reese - Editor of Prize Comics)
(Milt is credited as Milt Turet. But who was Milt Turet?)

This wasn't the only time he showed up in his comics. The first is so old (actually, the same year as above, and a year prior to below - but i didn't want to hurt its feelings and say that nobody loved it and saved it) that the only copy i've ever seen is on microfiche, so the image quality is going to suck. It's worth looking at while we're here, but we'll stick to just the appearance panels -


...and he was off with Hercules to grab a fresh girdle...

There was one other instance of which i'm aware. Just a year later in Crime Does Not Pay,  we got an inside look at Briefer's work methods...


Curious? Let's follow along to the next page and see what the series was like -


I don't wan to spoil things, so i'm putting the solution after the break below. You'll have to follow the link if you want to see how Dick Briefer totally twisted the conventions of the form to create what is likely the most oddly unique who-dunnit type comic.

Go ahead - take as long as you like. But unless you've got a very odd mind, it's unlikely you'll guess the solution.

page art by Dick Briefer for Prize Comics #30, Boy Comics #9, and Crime Does Not Pay #38 (1943, 1944)

For The Solution-

12 January 2019

Frankenplan

After repeated failures to stop Frankenstein, something had to change. Bulldog Denny was having about as much success against the creature as British Bulldog had facing his monster.

But then - a new plan arose...


If at first you don't succeed - get help!

At the end of the previous post, i introduced a few of the other stars of Prize Comics. There is a reason i chose those particular characters...


With very rare exceptions like Peter Porker and Captain Carrot, i'm not recalling another crossover/team-up that included cartoon comedy characters with superheroes. From the moment the General and the Corporal showed up at the conference table, my head was spinning.

Of course, once you've caught the creature - what do you do with him...?


...and with that we entered a transitional period for Dick Briefer's Frankenstein. A new direction was coming, but they didn't seem to be certain what that was...

page art by Frank Briefer for Prize Comics #s 23-25 (1942)