Showing posts with label Warren. Show all posts
Showing posts with label Warren. Show all posts

03 February 2018

Jim Jams (not to be confused with Jim Jam Jr.)

Before we get back to Joe Guy, let us pause to look at our author, Jim Stenstrum.
Jim is an artist as well as a writer, and that's where you'd find much of his work these days. While you might not know his writing from his old comics, odds are you've seen some of his artwork. His character designs have graced such shows as the animated Superman from the 90s to the Scooby-Doo videos of recent years. His artwork appears in many other toons, ranging from Johnny Quest to Fish Police to Freakazoid! to Tom & Jerry.

I know him best from his old stories he did for Warren, and sometimes they stuck with me in the oddest ways. Back in the days before the WWWeb, hunting and collecting music was a much more difficult and time consuming endeavor. I maintained a constant watch list of things for which i was hunting, and the printed copy had a header reading Hard John's Nuclear Hit Parade. That title came from Jim Stenstrum.

Back in the 70s when my first son was gestating, Jim had a short series of stories in Eerie running under that title, starring Hard John Apple, illustrated by Richard Corben. This was right about the time that Den started running in Heavy Metal magazine, bringing a bit more attention to the work he was doing at Warren.

A snippet-


...some time later...


Where Joe Guy played a light-hearted but dark parody of the comics genre, Hard John gave Stenstrum license to turn that twisted lens on modern society of the 60s & 70s. As usual when Jim is spotted driving, i was standing by the road with my thumb out, eager to go along for the ride. Even the short jaunts were usually interesting, like his work with Neal Adams to produce Thrillkill - a story about a public mass shooter written way back in 1975.

In addition to his work in animation, Jim also has a new series of novels featuring Rex Havoc (just two so far - Asskickers Of The Fantastic and Horror Island.)
I've yet to read either, but Rex Havoc & The Asskickers Of The Fantastic was the title of a story he did for Warren's 1984 back in 1978, just to be confusing. I only discovered the existence of these books while writing this piece, but i quite enjoyed the original 10 page comic.
If you go hunting through old issues of Eerie, Creepy and 1984 looking for his work, you should know that Jim also wrote for them under the name of Alabaster Redzone.

Anyway - Yes, we'll come back to Hard John after we wrap up on Joe Guy. In the meantime, here's another taste of Jim Stenstrum's slightly skewed sensibilities as he and John Severin bring us the Super-Abnormal Phenomena Survival Kit -


For younger readers left wondering about that last line, Irwin Allen (who brought us shows like Time Tunnel, Lost In Space and Land Of The Giants) had recently sparked the Disaster Movie genre and was making a new name for himself while altering the Hollywood landscape, influencing movies to this day. The Towering Inferno and Earthquake were huge box office back when this was written.

pages from Creepy #79 and Eerie #83 (1976, 1977)

14 November 2017

Famous Creepy Eerie FreakOut

We're running out of year pretty soon, did you notice that?

Any 50 years ago in 1967 sort of things must be tended to in the next several weeks. There was a lot happening in '67 - in fact, it was A Happening in '67. But i'm not in an overly wordy frame of mind, so let's take in something visual - I trust not too abysmal. And let's intersect with another subject i've had on the back burner for quite a while - Warren magazines.

We'll later be talking about what goes on inside the magazines, but today, let's just take a look at Warren's '67 covers. As they developed over the years, their magazines often sported some of the coolest and most interesting visuals on the magazine rack.

Their Big 3 comic magazines were Creepy, Eerie and Vampirella, with a host of other titles supporting them over the years. But back in 1967, Vampirella was still a stirring in Forry's... imagination. So, instead of Vampirella, here's his other magazine - Famous Monsters Of Filmland. Not a comic magazine, but just around the genre corner:








There's a reminder - Christmas Is Coming! That sounds somehow very different in a post Game Of Thrones world...
Meanwhile, back at Warrens premiere comic magazines... Creepy is the Big Brother of the two titles, being a whole year older. So we'll honor the elderly and let them go first-






Frank Frazetta was a frequently featured cover artist on Warren's publications. Even when re-purposing a pre-existing illustration that many had likely seen before, it was still a good draw on the newsstand. A great number of other fantasy and horror artists' paintings were used on the cover, Warren seeming to splurge on the colour covers to offset the mostly black & white inner contents.
Worked for me, though these were before my time buying the titles. I was still living in Asia at this point, and Warren was having enough troubles with distribution in the USA.
On the cover's of  Eerie's mere five issues for '67 we had Frazetta once again leading off-






I particularly like that Gray Morrow cover on #10 above. So simple & clean compared to the typical offerings of the time, and a striking design that makes good use of the white space to draw the eye to the image.

Though perhaps not up to later levels at the peak of their covers, not a bad collection for the year of 1967.
Of course, this is The Voice Of ODD!, so we'd be remiss were we not to peek at the covers of Warren's oddest publication for '67 - Freak Out U.S.A.



Yes, the second issue is actually cover dated for 1968, but it was published in '67 and it was just too damn odd to leave out. I mean - how many of you looked at that and Austin drawled "Yeah, Baby!"?
You can expect to at least see a bit of The Monkees from the first issue (16 pages they got!), as might be expected from some of my previous indications of Monkee mania.

But the question looms in my mind - which covers make you want to look inside the magazine?

all covers from Warren publications (1967)

31 October 2017

Strange Things Are Afoot In Wyldwood Cemetary

cover by Sanjulian
On Sunday i teased a faded image beyond the mists of time showing an encounter most odd. Plainly visible in the first page splash is our heroine, the scantily clad Vampirella and the headstone of Denny Colt - the Spirit! And to dispel any suspicions of mere name similarity, the gate of Wildwood Cemetery is plainly visible in the background.

But, perhaps you exclaim, how could this be possible? Could they get the rights to use the Spirit?
You betch'um, Red Rider. At this point in time, Warren was not only publishing reprints of The Spirit, but Will Eisner himself was editing the book for them. Many things were possible.

I'll be honest, i'd completely forgotten this strange little story from the 50th issue of Vampirella. Add in a Pantha girl or two, ancient Egyptians, the mystery of the pyramids and a blackmarket baby operation run by Granny Goose, and you've got a packed full 50th issue extravaganza.
And it's a big one, so unbuckle-up and here we go!

Our story opens with the previously teased splash page-


NOTE: Due to restructuring of this blog,
pages containing (mild) nudity have been moved to our back room for adult content.


After that first chapter to set the tale, we shift to find Conrad Van Helsing suffering bloody visions in the night:


NOTE: Due to restructuring of this blog,
pages containing (mild) nudity have been moved to our back room for adult content.



Note that in the tradition of the classic tales like early Justice Society Of America adventures, each chapter is drawn by a different artist, and frequently features different members of the cast. After Conrad shares his premonitions with Vampi and his son, Adam, the pair head off to seek information from Nubia El Marna - yet another in his global web of informants and mystics. Specifically, they need to learn more about the amulet she acquired as Conrad feels it is at the center of things...



NOTE: Due to restructuring of this blog,
pages containing (mild) nudity have been moved to our back room for adult content.


She tells them of how the Pharaoh Khufu one day rescued a mysterious stranger, to whom he gave the name Khafra. Kahfra was a shapeshifter from the stars and original owner of the amulet. He constructed the great pyramid of Khufu, and his own, as well and began construction on a third for his successor. "Khafra wished the three pyramids placed in a line, so, he claimed, the great gods could see that the people of Egypt had not forgotten them!"



That night, after all have settled to bed and sleep...



NOTE: Due to restructuring of this blog,
pages containing (mild) nudity have been moved to our back room for adult content.



Meanwhile, in New York City, our next chapter begins...


While the opening circumstances may seem to have little bearing on our tale, the conversations turn back to Wildwood...


While Conrad seeks the Spirit of Denny Colt, Vampir & Adam arrive just in time to see their contact kidnapped and quickly pursue. Tracking the kidnappers to their lair, they find the hostages about to be shot. Adam uses the amulet to join with Vampi as...


"For as long as there has been recorded time, this amulet has graced the throats of a noble family. A family that was spawned by Khafra, Pharaoh, Healer, and Star-Traveler."
She explains that the power to shift to panther form is bread into their genetics, but the amulet is required to assuage the shock, preventing mental damage and insanity. Tracing the vibrations, she determines that the last descendant is a girl in Egypt, and sends the pair off again on her trail.
The next chapter had no credits on the splash page, so we'll jump straight into the action as Vampi seeks our missing girl. But first, let's meet her next contacts:


Vampi arrives soon after, and the meeting proceeds as a typical courteous brush-off until...


Not at all suspicious behaviour, eh? Unsurprisingly, Vampi returns surreptitiously in aerial rodent form to find-


After the messy bits, the amulet is returned and her memory restored - including her recollection of having been sold by Granny Goose! With the shock and horror of all that has happened to her, Pantha decides to leave this miserable world and return to her own. It turns out she was found with her own craft, which is still accessible...


With Pantha's mystery solved, we break tradition from those old JSA stories - the entire team does not reunite for the final chapter, at last delving into the question of


And, so, in the end - no Spirit in this world. But a delightfully odd intersection between two realities.

story by Bill Dubay, art by Jose Gonzales, Esteban Maroto, Ramon Torrents, and Jose Ortiz for  Vampirella #50 (1976)