Showing posts with label Artwork. Show all posts
Showing posts with label Artwork. Show all posts

29 November 2017

Out Of The Darkness, It Is Crawling

Crawling back up out of the darkness. Going to ramble a bit on a personal level before posting any images i brought back with me from the dark. Who knows. I might even not delete most of it. Fortunately, what family i have remaining do not read this blog, so i can try to ramble openly.

I talk at times of being a hermit. That's not just a cute character descriptor - it's a reflection of inherent sociopathic tendencies. (Don't panic - that's a wide spectrum. Not all sociopaths live next to psychopathy.) Those tendencies have become more pronounced with age. Probably, in no small part from simply watching the slow train-wreck of social collapse as we march, stumble, and dance our way into tyranny. Or maybe it was the rise of reality television and the shocking awareness of how many people consider those programs to be "entertainment". Or perhaps discovering the existence of prolapsed rectums of humanity who have bought ownership of phrases like "I die" (Fuck that Shakespeare guy anyway) or fruit names like "banana". I can't even conceive of how deeply, truly inferior one has to feel in one's core to even consider such tragically pathetic validation.

Of course, it certainly doesn't help living in a time when the current regime in my country inspires slogans like "T-rump: America Gets The D!" or "Putting The TWIT Back In Twitter".
One of the funniest things i heard recently was "What happened to respect for the office of the President?"
I concur. Somebody should force Mr. Trump to answer that question.

Anyway - that Hermit thing. On a practical level, what that translates to is that i generally go days without seeing another human being; weeks without contact more substantial than a nod in passing. I typically make two trips into town per month - one grocery shopping, one monthly errands and letting the med team play with their subject. The woman i love lives on the diagonal opposite of the country from me, some 2500+ miles away. The only family i've seen in years is my elder son, whom i see a few times a year. My younger son i have driven away with my antisocial episodes creating barriers between us, combined with my physical inability to travel these days. He just wrapped up a 3-4 year starring run in Vegas, and i was never able to get down there to see him. Those kinds of things added up over time tend to alienate people and drive them away. The last time i saw him was a complete surprise. Christopher Lloyd was ill and someone had to replace him for a show up this way. They turned to my son to fill in, and he showed up out of nowhere. I was, at that point, in a heavy withdrawal phase, but living in close quarters, sharing kitchen & bath with other tenants and when he showed up, i was overwhelmed and effectively shut down on the emotional level. I tried to hide in my last big project, and couldn't bring myself to go out into the city with he and his brother.
He couldn't understand - he's only been around me back when i was able to tap into that part of sociopathy that enable politicians to be commanding in public and use that as a shield. He only knows that when he came up to visit, i wasn't here for him. With everything else over the years, i think that was probably too much for him. And i can't blame him - and don't. I know where the fault lives.
I'm all too aware of how my nature has created breaks and barriers constantly around me. And, too often, i'll even intentionally create the break when i find myself feeling the effort/reward ratio to be ... draining at best.

Let's skip that ramble on earlier days and energy flows that i started typing and come back to the now.

While it suits my nature to be alone, and i'm very rarely lonely in that aloneness, it does come with a cost that's probably quite obvious to most. That disconnect from humanity in particular, no matter how bound i might feel to humanity in general.
Typically on the holidays, i'm a big cook - i'll go nuts with a turkey and a ham and much fixings, even if i'm the only one to eat. (You gots to have all the fixings for the leftovers to make proper Thanksgiving Soup!)
But this year, i just didn't feel like it. Or anything. I can't even tell you what i ate that day. Chicken maybe? Doesn't matter.

Technical issues have killed most of my painting cycles this year - the only real painting of any sort that i produced all year was the Jack Kirby portrait. The paintings that were building for release were cut off by a hardware upgrade that killed half of my tools. I'm still waiting on one last component for the system that will let me change some of that software and hopefully not lose a library that's measured in the hundreds of gigs of data. Suffice it to say, without that release my internal mental/emotional state is somewhat undermined. My art keeps me healthy in a very literal way.

My father, with whom i haven't communicated in over a decade, died a few weeks ago. He set new longevity records for men in my family, hopefully fairly happy in that last decade. I doubt my siblings have any clue that i keep an awareness, though they're fairly invisible to me way up here. So, naturally enough, my thoughts had tended to be drawn into that emotional void this past weekend, memories and contemplations pulling me deeper into myself.

Here's a funny thing - you can suffer the symptoms of clinical depression without feeling "depressed" in any real way. But, it puts a weight on you that affects everything, even when you're not aware of it. It's also possible to confront and control some effects simply by identifying what they are.
An example - several years ago i was suffering acute pains in my arms and joints for which i couldn't find a cause. Once i learned that depression could cause pain and confronted my Self on the issue, the pains stopped an have never returned.
NOTE: I'm not saying that anyone can "wish away" depression symptoms or anything foolish like that. I'm merely saying that with awareness can come power. After that, things vary by situation, manifestation, self-awareness, and practice/experience. My own bodily control and awareness was developed over long periods of meditation and practice after early years living in parts of Asia, which would certainly give me an advantage over many. That said, my focus is shattered these days - i can't actively remember the last time i even tried to meditate.

So, that's where i've been for the last few days, down in those internal shadows.  It's inevitable at times, and even necessary. But not much gets done at those times.

I've made mention in the past of this blog being something of lifeline/connection to the world outside my cave. There's literal truth in that statement, if not absolute truth. Working on the blog forces me to move my mind outside the cave. Writing it reinforces my connection to those who dwell in the world with me. I believe that holds true even when no one reads it, in the same way that letters are written, never meaning to send. The recipient(s) are still present in the mind during composition, yes? Not to mention, it provides a place to rant and vent. I should have had it up much earlier when certain movies came out. (I still want to do a piece on my problems with MOS/BvS - but that means sitting through them again to get it right. Haven't managed to do that. Got halfway, almost.)
Monologues are a good thing in this regard. Dialogues*, however, are certainly better.
(Hey, Commenters! You're therapeutic! Can you write that off in your taxes?)

Still here?
Okay - i promised images brought back with me, right?




Okay, moving toward the light...
Remember D. Bruce Berry, whose inks we used to see gracing Jack Kirby's work in the 70s?




Hmm...
still a little bleak, huh?
Okay, here's a bit of levity and a spot of colour to wrap things up for today. (And, don't worry - i made sure i was back before putting this in the cue. We're covered through the weekend, with new quiz for Friday, not one pulled from a book or magazine)
 



wanna know where a pic is from? ask. if i haven't replaced this with real info by the time you read


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*(Yes, it's still a dialogue if there's three or more involved. The root is dia (across), not di (two))

04 August 2017

Everybody Loves The King (King Kirby 016)

More than anyone else, it seems, Artists love Jack Kirby. I'm perhaps biased in this, as being an artist and creating this King Kirby 100 might give me a slightly skewed perspective in the matter.
I'll tell you one thing though, Alex Ross loves The King:


Damn, that's sweet. (As always, click on the image for a better view) This painting, of course, is Alex Ross's take on Kirby's full page panel in New Gods #6, entitled Glory Boat. If you've tragically never read the tale, Kirby's page should convey enough to appreciate the Glory of the Boat:


Meanwhile, back on Earth:


Here's The King's original pencils Mr. Ross was painting from:


...and, just for s&g, here's a look at how closely Alex was following Jack, while giving it his own special touch:

Unfortunately, Alex Ross's signature is cut off at the bottom.


Glory Boat by Jack Kirby from New Gods #6 (1972) and by Alex Ross (2007), Captain America also by Kirby & Ross(?-20th Century)

03 August 2017

Whence Came The Logo? (King Kirby 009)

Let's go bigger on the King Kirby 100 logo this time:


Some may be wondering where the logo came from.
Well, not so much. You probably figured it was from me. I mean, what was the source artwork for the logo?

Better question, with a much better answer. Before they were savagely butchered and maimed by my hand, two different paintings provided the artwork.
The first GOD, drawn and coloured by Jack Kirby with inks by Mike Royer:


The second is KIRBY DREAM MACHINE, painted by the King:


That colour seam in the middle is the result of being painted on two canvases. This painting is a bit large, over 5 foot wide. Obviously, i also mutilated the colours on this one.
For scale, here's Jack at work on the left panel of the painting :



Somehow it seems like that should be a shrine now...


GOD and KIRBY DREAM MACHINE by Jack Kirby, partially abetted by Mike Royer (1970&1975)

02 August 2017

Run, Kamandi, Run! (King Kirby 007)

Back when Kirby made the leap to DC, i devoured everything he put out. But the one that was my favorite was his take on Planet Of The Apes, starring the kid from Command D. It was a world where he could just go nuts and have fun with whatever concepts he felt like playing with at the time. And being almost completely separated from the rest of the DC universe, he was unconstrained by them.
Let's simply enjoy these pencils for now and i'm sure Kamandi will come up again this month.


pencils of Kamandi by Jack Kirby, stardate unknown

31 July 2017

Duck, Duck, Goosed

NOTE: Following the restructure of this site, the adult content has been moved to our back room. Text remains so that you (and search engines) may know what to expect, but if you wish to see the collection of adult oriented artwork (naked women and ducks) from Carl Barks, please follow this link to The Other Voice Of ODD! archive of the original post.

We all know Carl Barks, right?
You know...  the guy who taught us all about capitalism when we were growing up:


The Man who brought us those great adventures with Scrooge, Donald, and the family...


...and all those other wonderful ducks...



... what...the...  ducks?



Duckin' A!
It must be another..


This  week featuring (pretty obviously) the great Carl Barks!


Long before he became famous for his work with the Disney characters, Barks enjoyed drawing women and bawdy humor. Early cartoon work for magazines like Calgary EyeOpener provided a playground for the budding artist.


In 1939 he released a Nude Lithograph with work reminiscent of great modern European erotic artists:


Throughout his highly prolific career he continued to use the female form as a way to get away from the ducks and enjoy his art.


My favorite works (though i love those simple figure studies above) come from a period when Disney revoked his license to paint the Duck family and he humorously responded with a series of commissions entitled Famous Figures Of History As They Might Have Looked Had Their Genes Gotten Mixed With Waterfowl, such as this delightful piece, Mountain Man:


(Yes, that's Myron Moose in the background)

I believe Disney restored his license fairly swiftly after learning of these paintings.

Everything but the logo by the great Carl Barks (spread over half a century or more)


29 July 2017

Muktuk Raking

I still haven't figured out what to call it when the post is nothing more than "ooOOOOoooo - LOOK! Pretty picture!!" At least, not the colour pics. (BBW Art is a feature that hasn't debuted yet) Frankly, not a single angle that's bubbled up holds appeal for me. Nor is any so wretched that i feel compelled to use it. I'm sure something will occur to me, but in the meantime...

ooOOOOoooo - LOOK! Pretty picture!!


This is Alex Horley's cover painting for issue #2 of Muktuk Wolfsbreath: Hard-Boiled Shaman, a delightfully odd Vertigo 3-issue miniseries from back in 1998. The series is worth coming back to for a look inside, but today i was just perusing pretty pictures. And trying to think of a name for this feature. (Or is running covers with clean cover art a separate feature of its own? Where's the damn editor?!)

Alex Horley artwork from the exterior of Muktuk Wolfsbreath: Hard-Boiled Shaman #2 (1998)

28 July 2017

And now, a palette cleanser for your eyes after that last taste.
A Ruiz Burgos* Saturday Sampler platter:


Just lovely, aren't they? These are 9 his 10 Saturdays. For a much better look at these, and a gallery of his other comic book based paintings, you really should visit his site

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*(Ruiz Burgos is only the last half of his name. The first half has escaped into one of my memory holes, and the website was broken, refusing to feed me the bio page)

27 July 2017

My Apologies in advance

CAUTION!

This Post May Be Disturbing For Some Viewers.
Proceed At Your Own Risk.

Post continues after the Bat-Bumper...





Um...   nope.
I don't have an introduction for this. Rule 34 would be easier to explain.
Better to talk after. I'll put on a pot of tea while you ...  um...  

...here - just look


I don't know if familiarity with the original Rubens painting makes first viewing better or worse. I can say that context didn't really help. Also - love the addition of the peeping toms.

So...

What the hell just happened to you?
Hillary White (Rabbit), that's what.
And don't expect her to apologize for it. She'll just slap you again.


That's Waiting To Surprise Bae. (Did you want to know that 'Bae' has been established as Darth Vader in other paintings?)
But, if you like getting slapped like that (I do) then head on over to Hillary's Portfolio and enjoy yourself!

26 July 2017

Hunt Emerson Predicts The Future

Hunt Emerson called it back in 1983:


lightly tweaked Rear View of Graphixus #2 by Hunt Emerson (1983)

24 July 2017

What phase is the moon?

NOTE: This post has been edited to conform to the blog's new status. Part has been moved to our Back Room with a link provided at the bottom.

At one point while growing up, we lived in a 'blue' county, so called because it was subject to old Blue Laws. Blue Laws was a term used to refer to attempts to legislate morality, usually by the highly unmoral seeking power or feeling guilty. On Sundays where we lived, the alcohol cabinets in the stores were chained shut, and bars closed. It was illegal to sell alcohol anywhere in the county on Sunday, so you tried to stock up friday or saturday, and hope your friends did, too, so they wouldn't drink you dry before Monday came around.
This was Blue Sunday.

In general, this worked out for most folks with only minor grousing about the situation. But for the hard drinkers, the young partiers who get cut off halfway through the weekend, it was ... well, agonizing - according to them. This led to savagely overdrinking and hard partying on Monday - the kind that leaves you waking up naked and not being able to identify the naked person(s) next to you.
This was Blue Monday.

And so we have a name for our latest feature:


Here we'll take a look at what we'll call 'Blue' comics & art for the sake of the feature.
Sometimes we'll look at various 'adult' comics from around the globe, other times we'll just look at the pretty pictures. Like today.
Here's a news flash - many artists often draw naked things. From learning experiences to expressions of passion to desperate need, the reasons vary widely. Some hide it, some flaunt it. Some do it for pleasure, some for attention, some only for money or to please others. Sometimes, it's the most obvious artists whose work is nearly erotica anyway, other times it's the last artist you might expect. (See our next Blue Monday for a potential example)

For our inaugural episode, let's not focus on any one artist - let's go with a theme. Superman Artists. I'm sure there's lots more out there. It's a new feature on a new blog, so no lengthy research is involved. Just 3x3 pics from 10 Superman Artists, ranging from Joe Shuster to Bruce Timm - the artists who brought us the first Superman, and the modern animated Superman. These are two of the most famous blue art creators among the comics pros - Joe Shuster due to publication of a book not long back calling attention to his fetish art, and Bruce Timm due to the publication of his own collection of paintings and drawings. I'm only using one example from each artist here, and zero context information for this quick review.

This post contains adult material and the remaining contents have been moved to The Other Voice Of ODD! - please follow this link to continue reading.