Showing posts with label 1962. Show all posts
Showing posts with label 1962. Show all posts

10 January 2020

S&S's Forgotten Fantasies (Part The First)

Everybody (sic) remembers Amazing Adult Fantasy #15 as the first appearance of Spider-Man. But how many remember anything else about the series?


A title of all Stan Lee & Steve Ditko tales is well worth remembering, wouldn't you think? So, let's do that and spend this weekend looking at some of those old stories. We'll start with a classic Bradbury-esque time travel tale -
 

Sometimes the answer is obvious early on, even if it perhaps isn't obvious until they point it out -



I must admit, there are Many things in modern society that leave me feeling like that crowd above. 


We opened with a time travel tale - let's close for this post with another...
 

They produced seven issues of stories before Spider-Man took over. We'll be back with more this weekend.

page art by Steve Ditko for Amazing Adult Fantasy #s 7 & 10 (1961, 1962)

15 January 2019

Before Raiders - Dr. Jones & The Magic Coin


If you're an old geek, you might remember some movies that presaged later big hits. For example, when the first Terminator movie came out, a lot of us saw echoes of Cyborg 2087 - an old Michael Rennie flic wherein he plays a cyborg sent back from a dystopian future on a mission of murder while pursued through time by a pair of 'terminator' (Tracer) cyborgs seeking to prevent him from changing the future.

Terminator was a very different movie, but felt familiar nonetheless.

Today i'm thinking about another old movie i loved in younger days (and still very much enjoyed when viewing it again recently). A couple of decades before Raiders Of The Lost Ark hit the theatres, but several years after the events within the film...

Dr. Jones is using his knowledge of ancient languages to translate the markings on an archeological find - a strange coin held by a religious statue uncovered on a dig. He finds that the coin is a magic artifact, which he's accidentally activated with his blood. It can be used to painfully incapacitate with a gesture, or kill with a gesture and a word (the name of the ancient god). It can even slow the passage of time with "the power of retarded movement".
He tries to tell the Pentagon about the coin's power, but that goes about as well as one might expect. However - enemy agents learn of its existence and Jones must use the power of the coin to protect himself, his country, and one who maybe his new-found love.

Sound like an Indiana Jones movie?

This movie, however, was a romantic comedy first, adventure film second.



That's Jonathan Jones. The movie changed it to Professor Jones from the original Doctor Jones in the book. To an oddnik like myself, it's a treasure - both book and movie, though those, too, are quite different from each other.

This was the movie that first taught me the name William Castle, and that he made films. From the opening frames, he was subverting expectations. The classic Columbia Pictures logo which opened their films was portrayed by an live actress...


 ...with Castle himself sitting in his director's chair looking on...


And then he stood...





Zotz!
And so it began - already flying off the rails before even getting to the title.

Those who remember Tom Poston today rarely remember him back in his leading man days. He's better (and fondly) remembered as George Utley, the handyman of the Stratford Inn on Newhart back in the '80s. (Oddly enough, years later in '01 he married Suzanne Pleshette, who play Bob Newhart's wife on the show. But i digress...)
You might also know him from scores of other roles over the half century of his career. He worked continuously up until his death a dozen years ago. But here (and in the picture above) he's playing Johnathan Jones, eccentric college professor and expert in ancient and archaic languages. And wielder of mystic power.

Poston was joined by Julia Meade as his romantic interest (and inevitable damsel in distress) with a supporting cast that included such familiar notables as Jim Bacchus, Margaret Dumont, Fred Clark, and Cecil Kellaway.

Since the movie has been released on Blu Ray, i won't go all spoilery into the plot. At least, not any more than i already did in the quick summary above. The film keeps a light, slightly off-kilter, comedy tone throughout - even through kidnappings and looming death. To some extent, the characters and situations feel like Kurt Russell's Disney flics of a decade later. One could easily think some scenes might have been lifted directly out of some unseen Dexter Riley movie if this film hadn't come first.

Let me pause to note how much i enjoyed the bubbly jazz music as the society party descends into chaos. Bernard Green did a mighty fine job with the soundtrack. (Enough to make me look to see who did it)

The special effects are simple but generally effective. The power to slow movement is cleverly used at times, and perhaps cruelly at other times. But he doesn't usually drink. (Well - sauerkraut juice...)

It's a fun little film that's stuck with me over the decades, and one of the very few 'special powers' movies in those days so long before comic book heroes ruled Hollywood. (Ever see George Hamilton in The Power - about a war between telekinetics?)
It's worth catching if you enjoy them old black & white films.

The book was very different. (Not the 'worth catching' part - it's an old favorite, too.)

Before we get into that - let's talk about the people who wrote it - Walter Karig, a naval officer who wrote battle reports like Asia's Good Neighbor and War In The Pacific; Carolyn Keene, author of 3 of the first 10 Nancy Drew novels; Detective novelist Keats Partick; Mystery author Clinton W. Locke; and...

oh,wait. Never mind.

The book was written by Walter Karig.

Captain Walter Karig, U.S. Navy, in Honolulu, one year after Zotz! was published.

He's all those other people, too. Along with Julia K. Duncan and maybe some other authors as well.

What exists as a brief diversion in the movie to trigger the story's 'big bad' antagonists is actually the main focus of the book. Part of Karig's time in the Navy was spent in the USN's Public Information Office and, drawing upon that experience, the book was a wicked satire on both the bureaucracy of the government and the nature of people.

The book takes place during World War II, and Jones spends most of the book trying to penetrate the system so he might be able to end the war with his (partially different) powers. But - Spoiler! Select the parenthetically demarcated area to read:
(By the time he finally gets through the layers of government to be actually able to do something, the war has already ended.
In a very different ending from the movie, he waits - exterminating cockroaches to keep in practice for the next war... )




stills from Zotz! (1962)

26 December 2018

Blue Monday Calendar - Wednesday Edition?

Okay - I done oopsed. So busy trying to push my brain into Xmas mode that i missed the final Monday of the year. Our last painting from Gil Elvgren is Bear Facts (A Modest Look; Bearback Rider) from 1962 -


art by Gil Elvgren (1958)

06 December 2018

Before Ant Boy! - The Agony And The Ants

A quarter century before Ant Boy! burst  up from the hill, there was another human friend to the ants. The writing credit for The Ant-Agonizing Boy is uncertain - possibly Joe Gill? Artwork is by Rocco Mastroserio, whom we have seen previously exploring life from other worlds. Here's their view of life hidden within our own planet...


For those who cannot rest until they know - The Ant Agonizing Boy appeared in, and on the cover of, Mysteries Of Unexplored Worlds #29 in 1962:


Does that help Ant Boy! seem any less strange?

page art by Rocco Mastroserio for Mysteries Of Unknown Worlds #29 (1962)

19 June 2018

The Secret Life Of Sue And Sally

As mentioned this morning, Flying Nurses and honorary Fly Girls - the twins Sue And Sally Smith - had just seven issues of their own comic, starting with #48. We also mentioned that the strip was usually drawn by Joe Sinnott.
But what came before?

The final issue of My Secret Life, #47, featured the debut of a new series created by Joe Sinnott. Joe wasn't just the artist on the strip, they were his girls. The writer on Sue and Sally's adventures is uncertain, but Joe Gill is the frequent guess as tho whose work it might be.

They debuted in September of 1962, and it was a good concept. Our heroes are positive heroes - healers by nature. They're pretty girls, always a bonus on the artwork for drawing in the readers. And their arrangement keeps them constantly moving from one potential danger zone to another, with the opportunity for widely varied and interesting background visuals. There's definitely great potential if the series had been more noticed by readers of the time.

To wrap up today's look at the Flying Nurses, here are Sue and Sally's first and final adventures. Their first appearance was on the cover of My Secret Life, with art by Charles Nicholas and Vince Alascia -


Fire Storm features pencils from Joe Sinnott with inks by Vince Colletta -


As seen in the story above, with Joe Sinnott's original concept we get a twin telepathic connection between the sisters. Whoever wrote the ongoing series ignored that potential and it was never mentioned again.

We saw the splash page for their final tale this morning. The credits on Symptom Of Evil are more nebulous. Dick Giordano is the 'best guess' penciller, and the inks are from the Vince Colletta Studio rather than the man himself.


page art from My Secret Life #47 and Sue And Sally Smith - Flying Nurses #54 (1962, 1963)