It might be somewhat difficult to grasp in an age of profound corporate and personal narcissism, but once upon a time someone tried to pretend he wasn't the creator.
(And it wasn't a politician talking about a disaster or anything like that.)
A couple weeks back
we started to look at
Inkie, an odd little comic character that interacted with his artists. When the strip started out, the concept was slightly more off the wall - Inkie wrote and drew his own adventures. In fact, he even named himself -
As mentioned several times previously, i enjoy seeing creators inserted
into the comics. The editor of
Crack Comics at this time was
John Beardsley.
How much of his own boss went into Al Stahl's editor in the strip...? Hard to
say. How self-deprecating was Beardsley? Stahl is portraying himself as
talentless and essentially useless, so Beardsley may have gone along
with it and allowed himself to be the model for the character. He only
worked in comics for a few years at the dawn of the '40s, primarily at
Quality Comics, and very little is known about him these days. Certainly not enough known by me to make any sort of educated guess.
Were the other artists based on folks at Quality at the time? Was the janitor based on a real person? How did he feel about that portrayal? Was having everyone completely ignore his presence - turn the page, move along - a social commentary? So many questions for my rambling mind.
We'd best move along to the next issue before i get bogged down in mental morass -
So - Eat That!
Ant Man and
Atom. You guys might ride arrows and T-spheres, but Inkie rides
(and guides) bullets!
As noted in the final caption of the tale above, in the third tale Inkie and Al join forces -
page art by Al Stahl (and Inkie) for Crack Comics #s 28-30 (1943)
